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TV movie picks: Clueless, Tom Cruise, Thor and slasher fave Candyman – NewsEverything Scotland

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Clueless, Channel 5, 3.05pm

Excessive on the checklist of movies no person ought to miss a possibility to re-watch is that this gem from 1995, a bona fide comedian masterpiece from Quick Instances At Ridgemont Excessive director Amy Heckerling. It actually doesn’t hurt its legacy that it’s based mostly on Jane Austen’s Emma, however when you’ve by no means learn the novel it received’t have an effect on your enjoyment: Heckerling’s whip-smart script is (virtually) a match for Austen as she skewers rich America and specifically probably the most vapid facets of 1990s teen tradition. Like Austen, nevertheless, she does it with sufficient fondness to make it not really feel like a complete take-down – and it’s testomony to the lasting affect of the movie that it in flip impressed facets of Autumn de Wilde’s 2020 interval tackle Emma, which starred Anya Taylor-Pleasure within the title function.

In a career-best efficiency, Alicia Silverstone is sensible as Cher Horowitz, a ditzy however well-meaning It Woman dwelling in a Beverly Hills mansion with high-flier lawyer father Mel (Dan Hedaya) and earnest, down-to-earth step-brother Josh (Paul Rudd). Cher narrates the movie with a succession of killer one-liners – “Trying to find a boy in highschool is as ineffective as looking for that means in a Pauly Shore film” and many others. – and hangs out with fellow teen queen and finest good friend Dionne (Stacey Sprint). They spar with class stoner Travis (Breckin Meyer) and Dionne’s on-off boyfriend Murray (Donald Faison), and take below their wing new woman Tai (Brittany Murphy). It’s Tai’s sartorial and social cluelessness which Cher units out to rectify in her self-appointed function of matchmaker. Multi-tasking younger girl that she is, she does it whereas additionally setting her sights on one other new pupil, Rat Pack-obsessed 1950s wannabe Christian Stovitz (Justin Walker). (Him to her: “Do you want Billie Holliday?” Reply: “I like him”. Evidently the date doesn’t go nicely.)

Peppered with cute popular culture references – everything from 9 Inch Nails to Forrest Gump will get talked about – and a rolling tableau of eye-watering 1990s fashions, Clueless has misplaced none of its allure or vitality even after 1 / 4 of a century. A phrase of recommendation although when you’re watching with an avid fan: ban them from shouting out the most effective strains. Together with Some Like It Sizzling, The Life Of Brian and Withnail & I, there isn’t any extra quotable movie within the historical past of cinema.

Sunday

Homicide On The Orient Categorical, BBC Two, 2.05pm

Neglect the Kenneth Branagh remake – that is the superior (and even starrier) model of Agatha Christie’s well-known whodunnit. Hercule Poirot (Albert Finney) is travelling on the Orient Categorical from Istanbul to Paris when he’s approached by an American businessman (Richard Widmark), who needs to rent the well-known detective to seek out out who has been sending him dying threats. Poirot declines – and awakes the following morning to study the person has been stabbed to dying whereas the prepare was stranded in a snow drift. It appears the killer should be on board, however which of the man passengers – amongst them Lauren Bacall, Sean Connery, Vanessa Redgrave, John Gielgud, Anthony Perkins and an Oscar-winning Ingrid Bergman: what a forged! – wielded the knife?

Monday

The 39 Steps, BBC Two, 2.20pm

Hitchcock’s 1935 masterpiece, tailored from the novel by John Buchan. Robert Donat performs hapless hero Richard Hannay who finds himself in a spot of bother when a younger feminine spy is murdered in his resort room and he’s framed for the crime. With the police in sizzling pursuit, Hannay heads for the highlands and highways of Scotland. En route, he meets a good looking blonde stranger (Madeleine Carroll) who tries to have him arrested, however Hannay escapes by the pores and skin of his enamel with the blonde now handcuffed to him. By no means one to move up a possibility to bask in kinkiness, Hitchcock milks what we might as nicely name the bondage scene for all it is price. It pretty sizzles in consequence. The twists and turns come thick and quick because the couple outwit the true killers and the authorities, culminating in a tense last showdown in a grand music corridor. Excellent route, excellent performances and a few breath-taking chase sequences. They actually do not make them like they used to.

Tuesday

Suspicion, BBC Two, 2.30pm

Extra Hitchcock. Right here he brings out Cary Grant’s darkish aspect – who knew, proper? – in a masterful thriller co-written by his spouse, Alma. Shy Lina (Joan Fontaine who, imagine it or not, is the one individual to ever decide up an Oscar for a efficiency in a Hitchcock movie) comes from a rich household and is swept off her toes by good-looking playboy Johnny (Grant). It is solely after she marries him that she discovers he is a penniless routine liar with a playing behavior. Nonetheless, that turns into the least of her issues when she grows more and more afraid that Johnny is planning to homicide her. Regardless of Hitchcock’s reported dissatisfaction with the ending, this stays a compelling watch.

Wednesday

Gloria Bell, BBC Two, 11.15pm

In 2013, Chilean film-maker Sebastian Lelio directed the Oscar-nominated drama Gloria a couple of 58-year-old divorcee embracing life after her household has flown the nest. He helms this English language remake co-written by Alice Johnson Boher and starring Julianne Moore within the title function. It transplants the soul-searching to the brilliant lights of Los Angeles the place Gloria decides to actively seek for romantic diversions now that son Peter (Michael Cera) and daughter Anne (Caren Pistorius) are grown up, and ex-husband Dustin (Brad Garrett) has a brand new spouse. Throughout one in every of these dalliances, she meets paintball teacher Arnold (John Turturro) and so they start up to now. Gloria introduces Arnold to her pals and family members however her shut relationship with Dustin is a trigger for concern to Arnold.

Thursday

American Made, Movie 4, 9pm

Pilot Barry Seal (Tom ‘Two Curries’ Cruise) is shedding all enthusiasm for his job as he supplies for his spouse Lucy (Sarah Wright) and kids. However he makes a bit additional money smuggling Cuban cigars into America in his hand baggage, a aspect hustle which is cottoned on to by CIA handler Monty Schafer (Domhnall Gleeson). He coerces Barry into working for the US authorities flying reconnaissance missions over Central America to {photograph} of a supposed rising communist risk. Throughout one covert flight, Barry meets members of the high-powered Medellin cocaine cartel, who exploit his greed by using him to move narcotics again to America. Based mostly on a real story of outlandish lies, American Made recreates the late 1970s and 1980s with a swagger.

Friday

Thor: The Darkish World, BBC One, 10.35pm

The Darkish Elves of Svartalfheim led by Malekith (Christopher Eccleston) intend to unleash a fluid referred to as the Aether, which can plunge the 9 Realms into everlasting darkness. Or one thing. Throwing a spanner within the works, astrophysicist Jane Foster (Natalie Portman) has been uncovered to the swirling gelatinous goo. Thus, Malekith and his hench-elves launch an assault on Asgard, the place Thor (Chris Hemsworth) has hid Jane within the hope that his father Odin (Anthony Hopkins) can extract the Aether from his sweetheart. Or one thing. When that glimmer of hope is snuffed out, the crown prince of Asgard turns for assist to his nefarious adoptive brother, Loki (Tom Hiddleston). Thor: The Darkish World is as large and muscular as its titular hammer-swinging hunk, ricocheting noisily between motion, comedy and romance. However largely motion.

And one to stream …

Candyman, Netflix

Younger American director Nia DaCosta’s re-imagining of Clive Barker’s slasher horror was launched yesterday and has a script by Jordan Peele, writer-director of Us and the Oscar-winning Get Out. For those who’re planning a go to to the multiplex to see it, you could wish to try Bernard Rose’s 1992 authentic which is at present being given a well timed outing on Netflix.

Rose’s movie relies on Barker’s quick story The Forbidden, which took class as its theme and was set in a housing scheme within the writer’s native Liverpool. Rose retains the depressed city setting, however in switching the motion to Chicago’s crime-ridden (and predominantly black) Cabrini-Inexperienced housing challenge, he makes it about race. It’s simple to see why it appealed to Jordan Peele, whose personal horror movies take care of the identical topic.

Virginia Madsen performs Helen Lyle, a postgraduate pupil learning semiotics who has a selected curiosity in city legends. Throughout a routine interview, she hears a couple of bogey-man killer who will seem when you say his title 5 instances whereas going through a mirror. Guess who? Digging a bit deeper – she talks to 2 black girls, cleaners on the college – she learns that Candyman was as soon as a comparatively well-to-do African-American who was murdered within the metropolis within the late 19th century for having an inter-racial affair. His proper hand was chopped off and he was lined in honey, leading to his being stung to dying.

Discovering {that a} serial killer seems to have been at work for years within the Cabrini-Inexperienced flats, Helen units out to research the Candyman delusion within the firm of good friend and fellow pupil Bernadette (Kasi Lemmons). In a graffiti-bedecked stairway they meet younger single mom Anne-Marie (Vanessa Williams, who reprises the function within the new movie) and, after all, they stand in entrance of a mirror and … nicely, you’ll be able to most likely guess the remainder. Bees characteristic closely, as does the hook Candyman makes use of to eviscerate his victims as he closes in on Helen. Tony Todd, who additionally options within the new model, performs the killer.

At all times coherent it isn’t. There have been higher (and scarier) slasher flicks. However Candyman tugged laborious sufficient on the public creativeness (and rang up sufficient in field workplace receipts) to spawn two sequels, and there’s no doubting the esteem by which it’s held by sure horror cognoscenti. It’s additionally the one slasher flick with a soundtrack by cult minimalist composer Philip Glass, one other level in its favour.

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