Re-Thinking the Ending of ‘Thelma and Louise’ – NewsEverything Hollywood
By Meg Shields · Published on March 31st, 2023 Welcome to The Queue —…
The Symbolic Power of the Kaiju – NewsEverything Hollywood
Big boys. Big ideas. By Meg Shields · Published on March 29th, 2023 Welcome…
“I’m not interested in Emotion.” Willem Dafoe Takes Us ‘Inside’ – NewsEverything Hollywood
We chat with director Vasilis Katsoupis and actor Willem Dafoe about ‘Inside’ and…
Constraints as Style: The Visual Language of “Emily the Criminal” – NewsEverything Hollywood
When constraints lead to creativity, good things happen. ================================= Follow News Everything…
Why Pandora is the Thematic Key to ‘Avatar: The Way of Water’ – NewsEverything Hollywood
20th Century Studios By Meg Shields · Published on March 24th, 2023 Welcome to…
‘Babylon’ Is Our Beautifully Messy Home Video Pick of the Week – NewsEverything Hollywood
Babylon What is it? Hollywood’s golden age sees ups, downs, and glorious…
How the Cinematography in ‘It Follows’ Trains You To Be Paranoid – NewsEverything Hollywood
Thanks, ‘It Follows’ for making a slow pan feel so scary. By Meg…
The ‘Star Wars Holiday Special’ Is Good, Actually? – NewsEverything Hollywood
Okay, so, no, it’s not. Although, our conversation with ‘A Disturbance in…
How to Direct an Action Movie Like SS Rajamouli – NewsEverything Hollywood
Queue the speed ramping. By Meg Shields · Published on March 15th, 2023 Welcome…
What Makes the Prologue from ‘The Last of Us’ So Effective – NewsEverything Hollywood
Exploring what makes the grim prologue of The Last of Us season…